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from relupafidd1985

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from tuttipneumatici365

Tutti Pneumatici 365

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from excavationdomco

Excavation Domco Inc.

Bienvenue chez Excavation Domco inc., l’entreprise qui redéfinit les normes de l’excavation avec un engagement indéfectible envers l’excellence et l’innovation. Notre histoire commence sur les terrains de golf, où nous avons cultivé une expertise exceptionnelle dans la réfection et la construction pendant cinq ans.

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Entrepreneur spécialisé en excavation

Nos Médias Sociaux: Facebook

 
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from essouchagedulude11

Essouchage Dulude

Essouchage Dulude offre des services professionnels d’élimination des souches d’arbres. Notre priorité absolue est la satisfaction de nos clients. Peu importe l’ampleur de vos besoins, nous nous engageons à fournir un résultat de qualité, ainsi qu’à maintenir la propreté des lieux et à offrir une expertise exceptionnelle.

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Nos Médias Sociaux: Facebook Instagram Youtube Tiktok

 
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from essouchagedulude

Essouchage Dulude

Essouchage Dulude offre des services professionnels d’élimination des souches d’arbres. Notre priorité absolue est la satisfaction de nos clients. Peu importe l’ampleur de vos besoins, nous nous engageons à fournir un résultat de qualité, ainsi qu’à maintenir la propreté des lieux et à offrir une expertise exceptionnelle.

En optant pour notre service d’essouchage, vous pouvez libérer de l’espace pour de nouveaux projets tels que l’installation d’une piscine, d’un spa, d’une clôture, de pavés, ou tout autre aménagement que vous envisagez.

Service d'essouchage

Nos Médias Sociaux: Facebook Instagram Youtube Tiktok

 
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from excavationsfissureselite

Excavations & Fissures Élite

On vous offre une gamme complète de services pour répondre à vos besoins en matière d'excavation commerciale et résidentielle. Nous sommes spécialisés dans l'installation de drains français, la démolition, la réparation de fissures et bien plus encore. Contactez-nous pour obtenir une évaluation gratuite et découvrez pourquoi nous sommes la référence en matière d'excavation et de réparation de fissures de qualité supérieure.

Entrepreneur spécialisé en excavation

 
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from paysagementelite

Paysagement Élite

Paysagement Élite regroupe une équipe de jeunes paysagistes motivés qui partagent le même objectif : rendre votre ambiance extérieure à un niveau supérieur. Projet à votre image, respect du budget, 24h/24, 7 jours sur 7.

Paysagiste

Nos Médias Sociaux: Facebook Instagram

 
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from excavationlandexca

Excavation Landex inc

Excavation Landex est une PME en pleine expansion en Montérégie qui offre des services d’excavation de qualité afin que vous puissiez profiter et maximiser votre propriété.

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De façon quotidienne, nous nous engageons à soutenir certains organismes locaux dans leurs démarches pour soutenir les citoyens dans diverses municipalités. Contribuer à notre communauté fait partie intégrante de notre engagement envers un avenir durable et prospère pour tous.

Entrepreneur spécialisé en excavation

Nos Médias Sociaux: Facebook

 
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from bpoaxsysbvnl

bpo-axsys | Expert in Resultaatgericht Samenwerken

Met meer dan 20 jaar ervaring is bpo-axsys dé RGS-expert van Nederland. Wij helpen woningcorporaties en bouw- en onderhoudsbedrijven met het implementeren en verbeteren van ketensamenwerkingen die zijn ingericht volgens de uitgangspunten van Resultaatgericht Samenwerken (RGS). Naast woningcorporaties en bouw- en onderhoudsbedrijven, is bpo-axsys actief voor beleggers, producenten, leveranciers, en andere dienstverleners in de keten, zoals adviseurs en architecten. Ook helpen wij bedrijven in het vastgoedonderhoud bij het behalen van het VGO-Keur

Westplein 12 3016 BM Rotterdam The Netherlands

+31 6 53395619

https://www.bpo-axsysbv.nl/vgo-keur-behalen/

 
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from mgrforgetca

Résidence Mgr Forget St-Jean

Située dans le Vieux-Saint-Jean, dans le centre-ville de Saint-Jean-sur-Richelieu, la Résidence Mgr Forget offre une vie riche, calme et paisible à ses résidents autonomes et semi-autonomes. Dans une ambiance chaleureuse et amicale, où l’on se sent en famille, un personnel qualifié et expérimenté est présent 24/7 pour veiller au bien-être, au confort et à la sécurité de tous les résidents.

Résidence pour personnes âgées

Nos Médias Sociaux: Facebook

 
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from edwardsmokedmeatca

Edward Smoked Meat

Une expérience client inégalée | La qualité et la rapidité du service sont au cœur de notre succès chez Edward Smoked Meat. Nos méthodes de préparation minutieuses nous permettent d’offrir les meilleurs produits dans un court délai. Chaque client est accueilli avec la même chaleur et le même dévouement, créant ainsi une atmosphère où chacun se sent apprécié.

Restaurant

Nos Médias Sociaux: Facebook Instagram

 
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from բելուգա

originally posted on Linkedin

A few months ago, Pentagram, one of the oldest, most well-respected design firms in the world, designed a website for the Federal Government of the United States. Paula Scher’s team came up with a handmade look for the illustrations on the website. They carefully cut out and painted shapes and images in the chosen colors. The illustrations feel simple yet sophisticated, playful yet serious enough for a government website, real in a way that might deter your mind from the fact that you’re on a website controlled by a genocidal oligarchy.

And then they fed their work into Midjourney.

I don’t think it matters here what Midjourney spewed out. What matters is that this is one of the wealthiest possible clients commissioning one of the most arts-and-crafts-inclined women in the high society of the design industry, and the best they could do was to generate half-assed illustrations with generative AI.

I don’t want to talk about the environmental impact of generative AI. It’s neither the first nor the last thing to heavily contribute to the destruction of “the only home we’ve ever known.” I don’t want to talk about machine learning or general AI: I’m glad we’re at a point where they can potentially be used to save lives. I do, however, absolutely want to discuss generative AI, especially in art, design, fashion, photography, and cinema, and how terrifying it is to think that maybe the future generations create nothing but AI prompts.

Before I start this rent I want to recommend josh (The Nuke)’s video titled You are a better writer than AI. (Yes, you.) I will have other materials at the end of this, and I love them all and they are all directly or indirectly about eating the generative AI and feeding the artists, but none of it is quite as beautiful or quite as eloquent as this one.

I’ve been wanting to write this for a while now, and then, on January 15, I logged into Mastodon to write a post about how funny Drake’s lawsuit was and saw the news I never thought I’d get during my lifetime: David Lynch was dead. I’ve thought about the possible deaths of probably everyone I know except David Lynch. I wasn’t the only one. Very few men in the public eye have moved as respectably as he did. He got everything right. He changed the possibilities of what we could see in the movie theatre and on the small screen. An artist in the truest sense there could be. For the days following his death, every social media timeline I was on (except this one) flooded with tributes in a way I’d never seen before. From people like me who lived half a planet away in a society very different from his, to people like Kyle MacLachlan who owe their career to the man, we were, more than anything else, grateful for the art, the words, the presence. I was not planning to use him as a device to prove a point here, but I will now. I think we owe him to at least keep this thing he loved so much alive. Lynch, on the surface, was the intersection of painting, crafts, music, writing, and cinema. He was also the unified deep water all those things surfaced from.

Kyle MacLachlan gave an interview about Lynch a few days after he died. Here’s what stuck with me:

“When David was a kid, his mother wouldn’t let him use coloring books because she thought they would kill his creativity. I think of that as the David Lynch origin story. He was given a world without lines and went about making his own.”

His origin story. So that’s what I want us to think about when hiring someone who will write a Midjourney prompt and get a puke of stolen ideas. I want you to think about what world you’re building by prioritizing those people instead of the artists who devote their lives to expressing a unique experience, an intimate piece of themselves every time they present you their work. Those are the ones who have transcended – those who have gone deep into the ocean to bring you the biggest, brightest fish. What they present is their culture, their childhood memories, their most detriment traumas and their most triumphant healings, their love and hate, their grandma’s food and the posters in their teenage room, their first kiss and first breakup, and all their heartbreaks, all the music they’ve listened to and all the movies they watched, stitched together into a piece that feels, as Twitter would say, like touching grass.

I do believe that all art is affected by what came before, but I also believe that it’s always original. There is a reason why two academic painters with the same decades of experience will not paint the same still life the same way. Even when matching all other parameters – the object, the light, the distance, the angle – you can never really match the personality, and therefore never get the same result. Think about what a blessing it is to see those individual perspectives. There is a subreddit called r/redditgetsdrawn, where, if you are brave enough to post your photo, random people will draw you for free. Try it out and realize that even the ones you think are badly drawn have the person’s unique view of you, and maybe it will make you as emotional as it did me.

Why does it matter though, you might ask. Why do we need to care about personality? And I think even if you don’t give two fucks about how personal a piece you’re looking at is, you might care about its quality. That’s a loaded word – quality. Bliss Foster, who is the guy to follow for fashion content, has a YouTube video dissecting that word, searching for its meaning, and trying to understand what produces it. After doing that for about forty minutes, he arrives at the simplest definition, which I cried listening to: The only thing that produces quality is care. A Hermes Birkin is the epitome of a high-quality product not necessarily because they use perfect leather or high-quality threads. It’s because the people making them put decades of experience and truly thousands of dollars worth of care in the process.

The Twin Peaks return isn’t a high-quality piece of television art because the actors are famous, or because they spent a shit ton of money on visual effects. Many of the effects, in fact, might seem too cheap and janky. It is high-quality because it is the amalgamation of Lynch’s craziest, most novel, most disturbing, most thought-provoking ideas. It’s high-quality because Lynch put as much care into it as if it was his newborn child. In one interview my BFF Jim Jarmusch says:

“I think the masterpiece that took the last few years in American cinema is really Twin Peaks: The Return. Eighteen hours of incomprehensible T.V. It wasn’t easy for him, and, by the way, no one will finance David Lynch’s feature films — so, what the fuck, I don’t get it.”

Let it sink in that Lynch died with possibly millions of ideas that you will not get to witness and that your kids will not get to witness because the world increasingly prioritizes the surface (Emilia Pérez has 13 Oscar nominations this year smh).

I want you to understand that’s what you’re losing by using generative AI, even in a setting as commercial as your business: Quality and personality. And if real artists (I will never consider AI prompt writers neither artists nor designers nor musicians) can’t get a living wage by creating that art – eventually we’ll lose access to it altogether. And then what will we have left? Or do we only care about saving money now? Will anything work? Are we back to worshipping the David Ogilvy way of advertising? He must, indeed, die. Here’s Why ‘David Ogilvy’ must die by David Baldwin.

A lot more I could say here, but really the only reason I went on this rant was so that I could give you a list of things that will either help navigate the increasingly dark www, or will explain this matter way better than I can. You can find the list below and if you get to it, feel free to suggest others.

All of this is to say that I hope Lynch rests in the sunlight and gets to bring all his ideas to life. I also hope we keep his memory alive by continuing to transcend, to catch the big fish, and to reward those who do.

Archives (for inspiration & public work you can use freely):

Public domain image archive

Public work by Cosmos

Internet Archive

Flickr Archive spreadsheet

Casual Archivist: sources

Free image stocks (so that you can’t justify skimping on paying a photographer):

Unsplash.com – Photos, illustrations, 3D renders

Pexels.com – Photos, videos

Kaboompics.com – Photos/photoshoots

Wikimedia Commons – Images, sounds, videos

Pixabay.com – Photos, videos, illustrations, vectors, music, sound effects, GIFs

Gumroad is a website where people upload all sorts of assets, often free to use.

Nightshade is a tool to act against AI models stealing your art.

This is a list I continue to fill out of creatives in Armenia. Hire them, take care of them, encourage and empower them. They will do it with respect and care, I promise.

josh (The Nuke) – You are a better writer than AI (Yes, you)

David Lynch – Catching the Big Fish

Tilda Swinton on the State of Cinema

David Foster Wallace – David Lynch Keeps His Head

Ayan Artan – in defense of pretension.

David Baldwin – Why ‘David Ogilvy’ must die

Bliss Foster – What does “High Quality” Mean in High Fashion?

Elizabeth Goodspeed on what happens when we treat the past like a stock library

JakeDontDraw – How AI Tricked the World's Largest Painting Competition

Drew Gooden – YouTube is obsessed with AI

 
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from ոսկեզօծ

Գիտես իմ մոտ ամեն ինչ նույնն է։ Դու շատ կուրախանայիր, որ իմանայիր տեղափոխվել եմ Ամստերդամ։ Կուզեի քեզ պատմել որ թեզս Երևանի մասին եմ գրում։ Մեր Երևանի։ Շատ կծիծաղեիր իմ վրա, որ իմանայիր սկսել եմ գործել։ Կասեիր տատիկական բաներ եմ անում ինչպես միշտ։ Կգայիր մի օր իմ մոտ, միասին թանգարաններով կքայլեինք իսկ հետո կգնայինք վարդագույն գինի խմելու։ Կնստեինք մի տեղ, ջրանցքի մոտ ու երկար կզրուցեինք։ Լավ բաներից մենակ կխոսեինք՝ ապագայից, երկրներից որտեղ կուզեինք լինել, գրքերից որ կուզեինք կարդալ։ Մի տեղ անպայման իրար հետ կպարեինք։ Մի երեկո, երբ դու, չնայած երկար չեմ ու չում անելուց հետո մեկա եկար մեր կոլլեգաների հետ Նոր Տարվա հավաքույթի, ես՝ արդեն բավականին գինովցած տեսա քեզ հեռվում ու արագ վազեցի որ գրկեմ։ Իսկ դու՝ ընդհատելով խոսակցությունդ ինչոր մեկի հետ ինձ գրկեցիր։ Շատ պինդ գրկեցիր։ իսկ հետո մենք երկար պարում էինք իրար հետ ու դու ինձ պտտում էիր ու գրկում։ Դու երևի չգիտես, որ ինձ փրկել ես։ Կիրակի օր էր ու բացի ինձնից աշխատասենյակում ոչ մեկ չկար։ Նեղացար ինձնից, որ քեզ չէի ասել որ գալու եմ։ Իսկ ես չէի ուզում, որ դու ինձ տեսնես տխուր ու քանդված։ Իսկ դու եկար ու ինձ հրավիրեցիր թեյ խմելու ու հաց ուտելու։ Ես ուտել չէի ուզում ու ասում էի որ շատ գործ ունեմ անելու, իսկ դու բերեցիր երկու բաժակ թեյ, անջատեցիր համակարգիչս ու նստեցիր հետս։ Երկար նստեցինք, ու ոչ ես ոչ դու այդպես էլ գործ չարեցինք։ Երբ դուրս էի գալիս գործից, չկարողացա բացատրել որ գնում եմ, որովհետև ամեն ինչ այստեղ քեզ է հիշեցնում։ Չգիտեմ ոնց հետ եկա գործի, այդ սենյակ, որտտեղ ստացա քո մահի մասին լուրը։ Չգիտեմ ոնց նորից ոտք դրեցի սենյակ որտեղ հեկեկալով լացում էի ու գոռալով ասում, որ լուրը սուտ է։ Դու չկայիր, իսկ ես մեկա սպասում էի, որ կիրակի օրը կգաս ու ինձ թեյ կբերես։ Չդիմացա ու դուրս եկա գործից։ Մեր տեղում, որտեղ բոլորից թակում ծխում էինք, այլևս երբեք չեմ նստել։ Ու ոչ մեկին չեմ պատմել այդ տեղի մասին։ Մենակ քեզ իմացող մադրիկ գիտեն այդ գողտրիկ տեղի մասին։ Քոնն էր այդ տեղը, մենք ուղակի հրավիրված հյուրեր էինք այդտեղ։ Երևանում՝ հենց մեր կողքի շենքի պատին քո մեծ պատկերն է։ Ամեն անգամ որ անցնում եմ քո մեծ դիմանկարի կողքով, ժպտում եմ ու բարևում քեզ։ Հույսով եմ լսում ես բարևներս։ Ներիր ինձ որ քեզ սկսել եմ քիչ նամակներ գրել։ Ներիր ինձ, որ վերջին պահին չկարողացա գալ քո ծննդյան խնջույքին։ Ներիր ինձ, որ մոռացել եմ ծիծաղդ ու ձայնդ։ Ներիր ինձ, որ այս անգամ Երևան եկա ու քեզ ծաղիկ չբերեցի։ Չնայած դու երևի կասեիր որ քեզ հիմա ծաղիկ պետք էլ չի։ Իմ մոտ ամեն ինչ նույնն է։ Հոգու խորքում ավելի տխուր եմ դարձել, երևի կարոտից է։ Այստեղ պատերազմից ոչ մեկի հետ չեմ խոսում։ Ինչ պիտի հասկանան։ Սկսել եմ ծխել։ Հետս Հայաստանից ծխախոտ եմ բերում, ու օրը մեկ հատիկ ծխում, պատուհանիս մոտ նստած։ Դեռ սպասում եմ քեզ Ամստերդամում։ Սպասում եմ գաս, որ գնանք Վան Գոգի նկարներին նայենք։ Սպասում եմ գաս, որ գնանք պարենք ու ապագայից խոսենք։ Սպասում եմ քեզ հետ հանդիպմանը, որ ավելի մոտիկ ընկերներ դառնանք։ Հիմա մենակ երևակայութանս մեջ ես, ընկեր։ Ինչևէ։ Քո դիմանկարից հեռու եմ, բայց ամեն դեպքում, բարև, արի, ես էս անգամ կբերեմ թեյը։

 
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